2011'10.17.Mon

BISTRO PEDESTAL TABLE : PEDESTAL TABLE


Bistro pedestal table : Large pedestal dining table : Wooden camp table



Bistro Pedestal Table





bistro pedestal table






    pedestal table
  • a table supported by a single central column

  • A table which has a central supporting column or pillar.

  • A table that features a center pedestal support instead of four legs.

  • A table with a single central support





    bistro
  • A small restaurant

  • (bistroic) of or relating to or resembling a bistro

  • a small informal restaurant; serves wine

  • A bistro, sometimes spelled bistrot, is, in its original Parisian incarnation, a small restaurant serving moderately priced simple meals in a modest setting. Bistros are defined mostly by the foods they serve. Slow-cooked foods like braised meats are typical.











bistro pedestal table - MAN CAVE




MAN CAVE New Wood Natural Finish Bistro Bar Pedestal Table


MAN CAVE New Wood Natural Finish Bistro Bar Pedestal Table



These New Natural Bistro Bar Table will be great additions to any Man Cave environment! It has a silky feel, is modern looking and is built well. It has 4 legs for support and is easy to assemble. The natural finish, solid wood top is 36" round with an "underskirt." It stands about 41" high. Notice the design on the table support. We also carry the 29" chairs in our other auction and the set too. The table has a very strong plywood underskirt. This auction is for the Table only. Be careful when trying to do your own color matching between products. Actual finish color may vary depending on your computer monitor settings. We are not responsible for color differences between your furniture and ours.










76% (6)





kitchen nook dilemmas




kitchen nook dilemmas





temporary seating in the kitchen... searching for the perfect small, square, mahogany or complementary breakfast table!!!!!!!!! This space is tiny, so a 24" square bistro/pedestal table would be great.











Black Oak




Black Oak





A decorative pedestal table created a few years ago, sold it to a couple of lovely ladies from Anderson NC, for there Tuscan themed wine bar.









bistro pedestal table








bistro pedestal table




Baxton Studio Graziella Steel-Base Aluminum-Top Pedestal Table






Round Table measures 23-1/2-Inches wide and deep with 28-1/2-Inches high.Reminiscent of the style of a 1950s diner, this small kitchen or dining table comfortably seats 1-2. Construction consists of a steel base and frame and a table surface covered in aluminum. The table’s surface features a throwback-styled repeating circular pattern in brushed aluminum. Included for the bottom of the base are black plastic floor protectors that also enhance stabilization of the table. Assembly is required.










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2011'10.17.Mon

BROOKFIELD CHAIRSIDE END TABLE : END TABLE


Brookfield Chairside End Table : White Rectangle Table.



Brookfield Chairside End Table





brookfield chairside end table






    brookfield
  • A city in southeastern Wisconsin, west of Milwaukee; pop. 35,184

  • viscosity -- apparent viscosity in cP determined by Brookfield viscometer, which measures the torque required to rotate a spindle at constant speed in oil of a given temperature. Basis for ASTM Method D 2983; used for measuring low temperature viscosity of lubricants.

  • Brookfield is a town located in northern Fairfield County, Connecticut, United States. The population was 15,664 at the 2000 census.

  • Brookfield is one of three stations on Metra's BNSF Railway Line, located in Brookfield, Illinois. The station is away from Union Station, the eastern terminus of the line. In Metra's zone-based fare system, Brookfield is in zone C. There is a staffed station on the south side of the tracks.





    end table
  • (End tables) are small tables typically placed beside couches or armchairs. Often lamps will be placed on an end table.

  • A table is a type of furniture comprising an open, flat surface supported by a base or legs. It may be used to hold articles such as food or papers at a convenient or comfortable height when sitting, and is therefore often used in conjunction with chairs.

  • (End tables) Usually bought in pairs, they accent the style of the coffee table or other furniture. Usually placed at the end of the sofa, it is a very important piece of a living room set.











brookfield chairside end table - Brookfield Chairside




Brookfield Chairside End Table By Ashley Furniture


Brookfield Chairside End Table By Ashley Furniture



With rich finishes and Old World details, the ornate beauty of the Chairside End Table by Famous Brand Furniture from the Brookfield accent table collection captures the true sophistication of finely crafted furniture. From the scrolling reeded details to the faux leather upholstered top adorned with nail head trim, accent table collection creates an Outer Resortce of Old World design with European country flair. With a Brown Finish flowing smoothly over these pieces, the Brookfield Accent Table Collection easily Famous Collections any living area with an ornate Old World beauty. Dimensions:
16W x26H x26D
Some assembly may be required. Please see product details.










75% (19)





Brookfield Zoo




Brookfield Zoo





Brookfield Zoo - Brookfield, IL











Brookfield




Brookfield





Brookfield's little Ford plow .









brookfield chairside end table








brookfield chairside end table




The Skillful Teacher: On Technique, Trust, and Responsiveness in the Classroom






In this second edition of the book that has become a classic in the field, award-winning author Stephen D. Brookfield offers inspiration and down-to-earth advice to new and seasoned teachers. The Skillful Teacher is a comprehensive guide that shows how to thrive on the unpredictability and diversity of classroom life and includes insights developed from the hundreds of workshops conducted by the author. This new edition also reflects the many changes that have come about in the decade since the book was first published and includes new chapters that deal with emerging topics such as classroom diversity and teaching in online learning environments.










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2011'10.17.Mon

CANTILEVER COFFEE TABLE. CANTILEVER COFFEE


CANTILEVER COFFEE TABLE. PLASMA CONSOLE TABLE.



Cantilever Coffee Table





cantilever coffee table






    coffee table
  • A low table, typically placed in front of a sofa

  • (Coffee Tables) While any small and low table can be, and is, called a coffee table, the term is applied particularly to the sets of three or four tables made from about 1790; of which the latter were called 'quartetto tables'.

  • A coffee table, also called a cocktail table, is a style of long, low table which is designed to be placed in front of a sofa, to support beverages (hence the name), magazines, feet, books (especially coffee table books), and other small items to be used while sitting, such as coasters.

  • low table where magazines can be placed and coffee or cocktails are served





    cantilever
  • projecting horizontal beam fixed at one end only

  • Support by a cantilever or cantilevers

  • project as a cantilever

  • Project as or like a cantilever

  • construct with girders and beams such that only one end is fixed; "Frank Lloyd Wright liked to cantilever his buildings"











cantilever coffee table - Callum Rectangular




Callum Rectangular End Table by Ashley Furniture


Callum Rectangular End Table by Ashley Furniture



The "Callum" accent table collection features a unique design and a rich finish to create a contemporary styled collection that is sure add an air of artistic sophistication into any living room environment. The rich veneer is bathed in a dark brown finish that beautifully highlights the imaginative cantilever design making these unique tables a perfect match for any home decor. With ample storage space and casters on the cocktail table for easy mobility, this collection is as functional as it is stylish. Enhance your home's beauty with the exciting contemporary design of the "Callum" accent table collection.










85% (10)





Cupertino sideboard




Cupertino sideboard





....it goes with the dining table....

walnut, with Port Orford Cedar -a gorgeous, fragrant softwood from the Pacific Northwest.

the big door lifts up and slides back...on hidden skateboard wheel bearings...











the Cupertino chair




the Cupertino chair





it's a pretty casual chair...good for the living room. Everyone seems to be shocked at how comfortable it is.









cantilever coffee table








cantilever coffee table




Instapark® Cantilever Mount for Aimpoint Scope & Sight w/ Rail Top






TACTICAL CANTILEVER SCOPE MOUNT w/ EXTRA RING TOP WITH ACCESSORY RAIL 30MM/1INCH, SEE-THRU, PICATINNY This cantilever mount is for the serious shooter that wants the best in strength and ruggedness. This heavy duty tactical mount is made of solid aluminum alloy for military and law enforcement uses. ? # Fits onto Weaver / Picatinny 1913 rails ? # Works with 30 mm tube scope or 1inch tube scope using included metal size inserts ? # Extra ring top with PICATINNY accessory rail for mounting laser sight etc. ? # Designed for use with 30mm AIMPOINT COMP Scopes and Sights ? COMPML2/M2-COMPML3/M3- and similar models ? # 1 1/2inch (38mm) center height (line of sight) ? # See-thru design allows use of regular iron sights with scope mounted. ? # Large HEX clamping nut for secure mounting. ? # Anodized black matte finish.










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2011'10.17.Mon

CONTEMPORARY RED TABLE - CONTEMPORARY RED


CONTEMPORARY RED TABLE - SMALL BLACK KITCHEN TABLE.



Contemporary Red Table





contemporary red table






    contemporary
  • characteristic of the present; "contemporary trends in design"; "the role of computers in modern-day medicine"

  • a person of nearly the same age as another

  • Living or occurring at the same time

  • Dating from the same time

  • Belonging to or occurring in the present

  • belonging to the present time; "contemporary leaders"





    table
  • Present formally for discussion or consideration at a meeting

  • postpone: hold back to a later time; "let's postpone the exam"

  • Postpone consideration of

  • a piece of furniture having a smooth flat top that is usually supported by one or more vertical legs; "it was a sturdy table"

  • a set of data arranged in rows and columns; "see table 1"





    red
  • a tributary of the Mississippi River that flows eastward from Texas along the southern boundary of Oklahoma and through Louisiana

  • crimson: characterized by violence or bloodshed; "writes of crimson deeds and barbaric days"- Andrea Parke; "fann'd by Conquest's crimson wing"- Thomas Gray; "convulsed with red rage"- Hudson Strode

  • (of a person or their face or complexion) Flushed or rosy, esp. with embarrassment, anger, or a healthy glow

  • (of a person's eyes) Bloodshot or having pink rims, esp. with tiredness or crying

  • red color or pigment; the chromatic color resembling the hue of blood

  • Of a color at the end of the spectrum next to orange and opposite violet, as of blood, fire, or rubies











contemporary red table - Lite Source




Lite Source LS-20504 Oriole Art Glass Table Lamp and Night Light with Floral Fabric Shade


Lite Source LS-20504 Oriole Art Glass Table Lamp and Night Light with Floral Fabric Shade



The abstract flower design is produced by an Italian glass blowing process called Millefiore. The art of glass blowing is alive and well and the results are beautiful. The graceful, vibrant orange base is great with vintage, eclectic or contemporary decors. This art glass body is also a night light. Vivid orange poppies grace the shade. Reinvigorate your decor with this refreshing lamp. Design by Lite Source. Mouth blown art glass. Poppy adorned shade. Takes one 100 watt bulb (not included). Includes one 15 watt Type T bulb for night light. 29 1/2" high. 15" wide. Shade is 13" across top, 15" across bottom, 10" high.










75% (9)





Arikha, Avigdor (1929-2010) - 1977 Anne Leaning on a Table (Los Angeles County Museum of Art, USA)




Arikha, Avigdor (1929-2010) - 1977 Anne Leaning on a Table (Los Angeles County Museum of Art, USA)





Oil on canvas; 130.2 x 97 cm.

Avigdor Arikha was a painter, draughtsman, printmaker, and art historian. He was born to German-speaking Jewish parents in Radauti, but grew up in Bukovina, Romania. His family faced forced deportation in 1941 to the Romanian-run concentration camps of Transnistria where his father died. He managed to survive thanks to the drawings he made of deportation scenes, which were shown to delegates of the International Red Cross. As a result, he and his sister were freed and brought to Palestine in 1944. In 1948 he was severely wounded in Israel's War of Independence. From 1946 to 1949, he attended the Bezalel School of Art in Jerusalem; its teaching was based on the Bauhaus methods. In 1949 he was awarded a scholarship which enabled him to study at the Ecole des Beaux Arts in Paris. From 1954 on he resided in Paris.

In the late 1950s, Arikha evolved into abstraction and established himself as an abstract painter, but he eventually came to think of abstraction as a dead end. In 1965 he stopped painting and began drawing, only from life, treating all subjects in a single sitting. Continuing on this path for the next eight years, his activity was confined to drawing and printmaking until late 1973, when he felt an urge to resume painting. He became "perhaps the best painter from life in the last decades of the 20th century", in the words of the obituary in the Economist magazine. His practice thereafter remained to paint directly from the subject in natural light only, using no preliminary drawing, finishing a painting, pastel, print, ink, or drawing in one session. His profound knowledge of art techniques and his masterly draughtsmanship enabled him to abide until the very end of his life by this principle of immediacy, partly inspired by Chinese brush painting. It was a principle he shared with his close friend Henri Cartier-Bresson, to whose "instant decisif" it was analogous. He drew and painted exclusively from life, never from memory or photograph, aiming to depict the truth of what lay before his eyes, at that moment. He is noted for his portraits, nudes, still lifes, and landscapes, rendered realistically and spontaneously, but in their radical spatial composition they clearly bear the lessons of abstraction, and in particular of Mondrian. He also illustrated some of the texts of Samuel Beckett, with whom he maintained a close friendship until the writer's death.

In the words of the art critic Marco Livingstone, Arikha "bridged the modernist avant-garde of pure abstraction with traditions of observational drawing and painting stretching back to the Renaissance and beyond. He was truculently insistent that he was not part of any "return to figuration", but rather had found his own way as "a post-abstract representational artist"."

Arikha painted a number of commissioned portraits, including that of H.M. Queen Elizabeth, the Queen Mother (1983), Lord Home of the Hirsel, former Prime Minister of the United Kingdom (1988), both in the collection of the Scottish National Portrait Gallery, Edinburgh. Other portraits include those of Catherine Deneuve (1990) for the French State, or that of the former Prime Minister Pierre Mauroy for the city of Lille.

As an art historian, Arikha wrote catalogues for exhibitions on Poussin and Ingres for which he was curator at the Musee du Louvre, the Frick Collection of New York, the Museum of Fine Arts, Houston, and the Israel Museum in Jerusalem. He has also lectured widely, at Princeton University, at Yale University, at the Frick Collection in New York, at the Prado Museum in Madrid, and at many other venues. Arikha showed frequently and over the decades he had over two dozen solo shows. In 1998 Arikha had a major retrospective at the Israel Museum, Jerusalem (of paintings) and at the Tel Aviv Museum of Art (of prints and drawings), which travelled to Edinburgh's Scottish National Gallery of Modern Art in 1999. From July 2006-January 2007 there was an exhibition at the British Museum of Arikha's bequest to it of one hundred prints and drawings. There was a retrospective of his prints at the Bibliotheque Nationale in Paris in 2008. From June to September 2008 the Thyssen-Bornemisza Museum in Madrid hosted another retrospective exhibition of the artist.











Contemporary water feature at night




Contemporary water feature at night





These clients wanted a sleek contemporary space for entertaining, with a stylish water feature. Three separate rendered walls, each with its own stainless steel water chute create a dramatic backdrop to this garden.

Three standard photinias are each underlit to highlight the foliage. The spacious hardwood deck has ample space for a large table and chairs for eating out, and the contemporary planting consists mainly of grasses and other plants with architectural foliage.

The original brickwork behind the three green walls has been painted over to give contrasting texture and an industrial feel to this minimilistic scheme.

Planting includes:

Christmas Berry ‘Red Robin’ (photinia)

Japanese Sedge ‘Evergold’ (carex hachijoensis)
Wood Spurge (euphorbia amygdaloides)

Zabeliana Cherry Laurel (prunus zabeliana)

Chinese Silver Grass ‘Silberfeder’ (miscanthus sinensis)

Verbena 'Bonariensis'

Tree Fern (dicksonia antarctica)

Cordyline 'Australis'

Phormium 'Tenax'









contemporary red table








contemporary red table




Origami Table Color: Red






OGM - 0X-02 Color: Red Shown in Black Composed of two laser-cut and slotted sheets of steel, the Origami Table ships flat and requires no tools or hardware to assemble. One sheet is the negative of the other, eliminating waste during production and giving the table its wonderful dynamic form. Once bent, the table's folds lock the parts into place. Available in a choice of three colors, The Origami Table has petal-like surfaces that are sturdy and spacious, making it a practical and sculptural side table, nightstand or plant stand. Features: -Available in White, Red and Black. -Made from laser-cut, powder coated steel. -Recycled content. -Recyclable. -Environmentally preferable finish. -No tools or hardware required to assemble. -Dimensions: 19'' H x 20'' W x 20'' D. Order with Confidence: -Should you discover shortly after receiving your Mio Culture Origami Table that parts are either damaged or missing, please call us immediately, and we will be happy to send you replacement parts as soon as possible and at no additional cost.. -No sales tax, except on orders shipped to Massachusetts..










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2011'10.17.Mon

COPPER CONSOLE TABLES - CONSOLE TABLES


Copper console tables - Round glass coffe table.



Copper Console Tables





copper console tables






    console tables
  • A table supported by ornamented brackets, either movable or fixed against a wall

  • Tables made for fixing against a wall and having no legs at the back. They came into fashion early in the eighteenth century, and were made often in pairs.





    copper
  • A police officer

  • a ductile malleable reddish-brown corrosion-resistant diamagnetic metallic element; occurs in various minerals but is the only metal that occurs abundantly in large masses; used as an electrical and thermal conductor

  • coat with a layer of copper

  • a copper penny











copper console tables - Copper and




Copper and Slate Console Table


Copper and Slate Console Table



The Bassett Mirror Company has been America's first name in home fashion since 1922, when their family business was founded on the eastern slopes of the Blue Ridge mountains of Virginia. Four generations later, they make more than mirrors that are worth looking into! Their home decor division offers a wide selection of decorative mirrors, framed art and small accent items. Their furniture division provides occasional tables, large accents, dining and bedroom collections. The Bassett Mirror Company has the looks today's homemakers are buying! Their design teams travel the world and work closely with America's leading retailers to keep their products on the leading edge of current fashion trends. Whether you're an "empty nester" or a first time home owner, they have the look.










84% (14)





(Former) Helen Miller Gould Stable




(Former) Helen Miller Gould Stable





Midtown West, Manhattan, New York City, New York, United States

The former Helen Miller Gould Stable, an early work of the noted firm of York & Sawyer, is an eminently pure example of the late French Renaissance style and set an exceptionally high standard of carriage house design. The facade presents the style's general characteristics, including symmetry, vertical correspondence, the combination of limestone and brick laid in Flemish bond with dark headers, aediculated dormers, the high hipped roof of slate and the tall flanking chimneys, while details culled from early 17th century prototypes successfully evoke the architecture of the reign of Henri IV. Built in 1902-03, this stable, the only one of the many lining this mews-like section of West 58th Street to survive unaltered and intact, adds dignity to the street with its distinguished facade design.

This stable, four stories and a basement, is constructed of limestone and brick laid up in Flemish Bond with dark headers. Characteristic of the late French Renaissance style — associated with the reign of Henri IV — the limestone is used for those parts of the facade where the load is greatest: the ground story arch, the quoins at the wall angles, the window frames, and the entablature. The attenuated hipped roof, flanked by a lower mansard, masks the fourth story. The massive flanking chimneys are also characteristic of the style.

The broad, three-centered arch entrance is the most prominent feature of the stable's ground story, informing the ornamental program dependent upon it: the granite base, the elaborate water table, the banded limestone rustication, and elbow voussoirs. The limestone water table, resting upon the granite base, is separated by the arch and each side is treated individually, though identically (Plate 2). A generous cavetto supports a thick, oblong molding. Superimposed upon the cavetto and molding are square blocks on whose surfaces are carved cleated, pendant tethering rings. The upper and lower edges of the banded rustication are rounded (Plate 4). Originally solid doors had filled the arch; today the entrance is glazed, framed in steel with a simple configuration of thin steel millions echoing the tripartite bay above.10 Two narrow windows, flanking the arched entrance, pierce the rustication. They are screened with ornamental wrought-iron grilles painted black (Plate 2). Three consoles — the swagged keystone of the entrance arch and those flanking with pendant guttae — suppport the second story balcony.

A thick, oblong molding separates the limestone ground story from the limestone and brick of the second and third stories. The base of the second story balcony projects from this molding and carries a wrought-iron balustrade.ir Rising from behind the balcony (Plate 5), a two story smooth-faced ashlar, limestone bay breaks through the entablature, terminating as an aediculated dormer in the base of the hipped roof. The deeply set, wood sash casement and transom windows on both the second and third stories are contained within this tripartite bay.12 Their present configuration and material are characteristic of the building's style. The cavetto [a concave molding] of the building's water table is repeated in the spandrels of the third story windows. The sides of this bay are keyed into the Flemish bond and mirror the limestone quoins. To accommodate the fourth story dormer, the entablature is artibulated as two separate but identical elements.

The dormer's limestone balconet and its wrought-iron railing are supported by two brackets projecting from the architrave (Plate 3). The dormer's limestone aediculation (Plate 6) consists of an earred architrave supported by volutes, a laurel frieze and denticulated pediment. Behind it rises the high hipped roof of slate and lower, flanking mansard. Above the dormer there is an eyebrow-hooded ventilator. The tall flanking chimneys are of brick with limestone quoins and caps. Limestone volutes, precisely articulated, support the base of the chimneys. Apparently the chimney pots are limestone. A copper cap with two finials crowns the hipped roof. The lower mansard roof, also of slate, is visible between the chimneys and the hipped roof (Plate 7).

In 1921 this carriage house and stable was converted to a private garage and the interior was altered to accommodate four automobiles. The second and third floors became an apartment for a chauffeur. At m?. Shepard's death in 1944 the building passed from Gould ownership. In 1957 the interior was renovated as a custom shoe show room and two apartments. Since 1982 it has been the home of the Unity Center for Practical Christianity which has owned the building since 1983.

- From the 1989 NYCLPC Landmark Designation Report











(Former) Helen Miller Gould Stable




(Former) Helen Miller Gould Stable





Theater District, Midtown, Manhattan

Midtown Manhattan

The former Helen Miller Gould Stable, an early work of the noted firm of York & Sawyer, is an eminently pure example of the late French Renaissance style and set an exceptionally high standard of carriage house design. The facade presents the style's general characteristics, including symmetry, vertical correspondence, the combination of limestone and brick laid in Flemish bond with dark headers, aediculated dormers, the high hipped roof of slate and the tall flanking chimneys, while details culled from early 17th century prototypes successfully evoke the architecture of the reign of Henri IV. Built in 1902-03, this stable, the only one of the many lining this mews-like section of West 58th Street to survive unaltered and intact, adds dignity to the street with its distinguished facade design.

This stable, four stories and a basement, is constructed of limestone and brick laid up in Flemish Bond with dark headers. Characteristic of the late French Renaissance style — associated with the reign of Henri IV — the limestone is used for those parts of the facade where the load is greatest: the ground story arch, the quoins at the wall angles, the window frames, and the entablature. The attenuated hipped roof, flanked by a lower mansard, masks the fourth story. The massive flanking chimneys are also characteristic of the style.

The broad, three-centered arch entrance is the most prominent feature of the stable's ground story, informing the ornamental program dependent upon it: the granite base, the elaborate water table, the banded limestone rustication, and elbow voussoirs. The limestone water table, resting upon the granite base, is separated by the arch and each side is treated individually, though identically (Plate 2). A generous cavetto supports a thick, oblong molding. Superimposed upon the cavetto and molding are square blocks on whose surfaces are carved cleated, pendant tethering rings. The upper and lower edges of the banded rustication are rounded (Plate 4). Originally solid doors had filled the arch; today the entrance is glazed, framed in steel with a simple configuration of thin steel millions echoing the tripartite bay above.10 Two narrow windows, flanking the arched entrance, pierce the rustication. They are screened with ornamental wrought-iron grilles painted black (Plate 2). Three consoles — the swagged keystone of the entrance arch and those flanking with pendant guttae — suppport the second story balcony.

A thick, oblong molding separates the limestone ground story from the limestone and brick of the second and third stories. The base of the second story balcony projects from this molding and carries a wrought-iron balustrade.ir Rising from behind the balcony (Plate 5), a two story smooth-faced ashlar, limestone bay breaks through the entablature, terminating as an aediculated dormer in the base of the hipped roof. The deeply set, wood sash casement and transom windows on both the second and third stories are contained within this tripartite bay.12 Their present configuration and material are characteristic of the building's style. The cavetto [a concave molding] of the building's water table is repeated in the spandrels of the third story windows. The sides of this bay are keyed into the Flemish bond and mirror the limestone quoins. To accommodate the fourth story dormer, the entablature is artibulated as two separate but identical elements.

The dormer's limestone balconet and its wrought-iron railing are supported by two brackets projecting from the architrave (Plate 3). The dormer's limestone aediculation (Plate 6) consists of an earred architrave supported by volutes, a laurel frieze and denticulated pediment. Behind it rises the high hipped roof of slate and lower, flanking mansard. Above the dormer there is an eyebrow-hooded ventilator. The tall flanking chimneys are of brick with limestone quoins and caps. Limestone volutes, precisely articulated, support the base of the chimneys. Apparently the chimney pots are limestone. A copper cap with two finials crowns the hipped roof. The lower mansard roof, also of slate, is visible between the chimneys and the hipped roof (Plate 7).

In 1921 this carriage house and stable was converted to a private garage and the interior was altered to accommodate four automobiles. The second and third floors became an apartment for a chauffeur. At m?. Shepard's death in 1944 the building passed from Gould ownership. In 1957 the interior was renovated as a custom shoe show room and two apartments. Since 1982 it has been the home of the Unity Center for Practical Christianity which has owned the building since 1983.

- From the 1989 NYCLPC Landmark Designation Report









copper console tables








copper console tables




Kichler Lighting 70495 Collage Burnished Copper 31-Inch Portable Table Lamp, Khaki Linen Hard Back Shade






Light Bulb:(1)150w A21 Med F Incand
Showcasing a classic, upscale look with contemporary undertones, this novel 31' high table lamp is ideal for almost anyone looking for a fantastic piece of transitional lighting. In addition to its unique design, the eye is naturally drawn to the large, brown marble accent in the center of the lamp, which partners exceptionally well with the antique feel provided by our burnished copper finish. The Khaki linen hard back shade has a fantastic and timeless profile while providing ideal ambiance for any lighting situation - from reading a favorite book to entertaining houseguests.
3-way turn switch










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